Center for New Music and Audio Technologies 
cnmat@cnmat.berkeley.edu http://www.cnmat.berkeley.edu
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WEST COAST ELECTROACOUSTIC EXCHANGE
SPRING 1998
 
 
WCEE Composers
WCEE Events
WCEE Organizers
WCEE Funding
Photos
 
The CNMAT Users Goup and Vancouver Pro Musica
presented a series of concerts and lecture/demonstrations
of 8-channel electroacoustic music
by San Francisco Bay Area and British Columbian composers.
~
24 through 26 April 1998
Center for New Music and Audio Technologies (CNMAT)
~
14 May 1998 Thursday
University of Washington
~
15 May 1998 Friday
The Western Front Lodge
Vancouver, British Columbia
 ~
18 May 1998 Monday
Portland State University
 

The composers & their music...
 
Bruce Bennett Fracture(1995) 
tenor saxophone and 4-channel signal processing
Edmund Campion Spell(1998) 
8-channel tape
Keeril Makan Broken Thoughts (1998) 
midi piano and computers
Eric Marty AnTy (1994, rev. 1998) 
8-channel tape
Sue McGowan The Carnelian Sea 
voice and tape
Chris Rolfe Bronze Wound  
8-channel tape
Barry Truax Pendlerdr/m 
8-channel tape
Scott Wilson Strings 
8-channel tape
Michael Zbyszynski Strange Attraction III (1998) 
saxophone, WX-7 wind controller and electronics
 
 

The events...

 
24 April 1998 Friday 
CNMAT
4:00PM 

8:00PM

Lecture by Barry Truax 

Concert 

25 April 1998 Saturday 
CNMAT
4:00PM 

7:00PM 

8:00PM

Lecture/demonstration on spatialization techniques 
by Chris Rolfe and Vance Galloway
pre-concert talk by Barry Truax

Concert

26 April 1998 Sunday 
CNMAT
1:00PM 

2:00PM

pre-concert talk with composers 

Concert

14 May 1998 Thursday 
University of Washington
2:30-4:30PM The CNMAT Users Group and Vancouver Pro Musica presented a lecture/demonstration on interactive electroacoustic music. Works include: Fracture (1995) for tenor saxophone and 4-channel signal processing; and Strange Attraction III (1998) by Michael Zbyszynski
15 May 1998 Friday 

The Western Front Lodge, 
Vancouver, British Columbia
8:00PM
The CNMAT Users Group and Vancouver Pro Musica presented a concert of 8-channel electroacoustic music

Fracture (1995) for tenor saxophone and 4-channel signal processing by Bruce Bennett; Spell (1998) for 8-channel tape by Edmund Campion; Broken Thoughts (1998) for midi-piano and computer by Keeril Makan; An Ty (1994, rev. 1998) for 8-channel tape by Eric Marty;The Carnelian Sea for voice and tape by Sue McGowan; Bronze Wound by Chris Rolfe; Pendlerdr/m for 8-channel tape by Barry Truax;Strings for 8-channel tape by Scott Wilson;Strange Attraction III (1998) by Michael Zbyszynski
18 May 1998 Monday 

Portland State University
10:00-11:30AM The CNMAT Users Group presents a lecture/demonstration on interactive electroacoustic music. Works include: Fracture (1995) for tenor saxophone and 4-channel signal processing; Strange Attraction III (1998) by Michael Zbyszynski
 
Images...

               ...forthcomming

The organizers...

 Eric Marty  marty@cnmat.berkeley.edu
 Scott Wilson    sdwilson@sfu.ca
 Bruce Bennett  bruce@cnmat.berkeley.edu

Our funding...